Kelly clarkson breakaway m4a7/28/2023 The result was boy bands like the Backstreet Boys and *NSYNC, bubbly ingenues trained in Disney’s sunshine factory. A few years earlier, teen pop had replaced grunge in the monoculture: “It’s as if a legion of music fans and bizzers, stunned by the grim finality of Cobain’s act, collectively decided… give us artifice and showbiz,” an Entertainment Weekly writer remarked. In other words, she was not Britney or Christina-stars whose promiscuous image and mass-market gloss in the public’s perception had made them the subject of a ceaseless media swarm in the early 2000s. She still very earnestly said “cool beans.” She went to Chili’s, not wild bashes thrown by Justin Timberlake. “It is hard to spend time with Clarkson without wondering if she even realizes she has moved to Los Angeles,” a writer remarked in a 2005 profile of the singer, quipping that the only place you’d spot her in US Weekly was in a “Got Milk?” ad. She was the quintessential girl-next-door, “ warm-as-a-popover” and “safe-as-milk.” Sure, she had a protean, phenomenal voice-one that made you happy she covered Aretha or Whitney, instead of feeling mortified that she had tried-but she was not overtly sexy, ostentatious, or hip. Even as she became the inaugural winner of American Idol and released Breakaway-one of the best-selling albums of the 21st century-journalists regularly marveled at the unpretentiousness of the former cocktail waitress from Texas. The most interesting thing about Kelly Clarkson seemed to be that she was not interesting at all.
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